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William Caraher is organizing a series on Archaeology & Craft. From his Call for Posts:

From my perspective there are three significant issues involving craft in archaeology (but I’m sure there are more!):

1. Craft in the Field. How and where do craft approaches exist in archaeological practice and how have recent trends in archaeological methodology limited the influence of traditional craft approaches to field practice (for better or for worse). In craft, the master craftsman has intellectual and bodily control over the entire productive process. How do we reconcile craft modes of archaeological production with those grounded in more industrial modes?

2. Craft in the Discipline. While the modes of knowledge production associated with craft have sometimes taken on a nostalgic glow in recent years, they can also carry forward a set of deeply conservative attitudes regarding access to the field (both literally and figuratively) and the authority to produce archaeological knowledge. In many cases, the authority within a system of craft derives from vaguely defined notions of “expertise” and “experience” which while important in archaeological work, tend to reinforce hierarchical social arrangement and privilege certain groups who have had traditional access to field work opportunities, material, and the previous generation of archaeological masters (e.g. old, white, men). In contrast, in professional archaeological knowledge is a product of rigorous adherence to modern, industrial, field practices (often mediated by technology) which could be acquired through the study of published work on methodology. This had the advantage of opening of the discipline to a wider group of practitioners by undermining field practices that reproduced traditional social hierarchies. Do appeals to archaeology as craft present real risks for archaeology as a discipline?

3. Craft and Technology. In recent years, it appears that archaeology’s increasing engagement with technology would bring about a revolution in field and publication practices. With more data collected in more sophisticated way and at a faster rate, technological changes has accelerated the slow process of field documentation. This has ensure that we have more information from our time in the field, and less time for the deliberate and contemplative aspects of the archaeologist craft. I realize that juxtaposing craft with practices mediate by technology is not entirely fair or accurate; at the same time, I can think of few technologies used regularly in archaeological work that explicitly reinforce the kind of haptic, embodied knowledge of traditional archaeological experience. Does archaeology used technology in such a way to marginalize opportunities for engagements grounded in craft?

For more information, read the rest of his post here:

Contributions will be ongoing, to submit please contact billcaraher [at] gmail [dot] com

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Colleen Morgan

Colleen Morgan recently received her Ph.D. in Anthropology at the University of California, Berkeley. After receiving her B.A. in Anthropology/Asian Studies in 2004 at the University of Texas, Colleen worked as a professional archaeologist. Since that time, she has worked in Turkey, Jordan, Qatar, England, Greece, Texas, Hawaii and California, excavating sites 100 years old and 9,000 years old and anything in-between. Her dissertation is based on building archaeological narratives with New Media, using digital photography, video, mobile and locative devices. She is deeply interested in excavation methodology, high falutin’ theory, interstitial spaces, skeuomorphs and good bourbon.